McCoy Tyner, Classic jazz Artist
Alfred McCoy Tyner (December 11, 1938 – March 6, 2020)
McCoy Tyner was a jazz pianist known for his work with the John Coltrane Quartet, and a long solo career. He is considered to be one of the most influential jazz pianists of the 20th century, an honor he earned during and after his time with Coltrane. Although he was a member of Coltrane’s group, he was never overshadowed by Coltrane. He complemented and inspired Coltrane’s open approach. His style of piano was comparable to Coltrane’s maximalist style on saxophone. Tyner and Coltrane used similar scales, chordal structures, melodic phrasings, and rhythms.
Born: Philadelphia, Pennsylvania, USA
Genre: Jazz, avant-garde jazz, Classic Jazz
McCoy Tyner was the oldest of three children. He was encouraged to study piano by his mother. He began studying the piano at age 13 and within two years music had become the focal point in his life. When he was 17, he converted to Islam through the Ahmadiyya Muslim Community and changed his name to Sulieman Saud. His neighbors in Philadelphia included musicians Richie Powell and Bud Powell.
In 1960, Tyner joined the Jazztet led by Benny Golson and Art Farmer. Six months later, he joined the quartet of John Coltrane that included Jimmy Garrison and Elvin Jones. He worked with the band during its extended run at the Jazz Gallery, replacing Steve Kuhn. (Coltrane had known Tyner for a while in Philadelphia, and performed one of the pianist’s compositions, “The Believer”, as early as 1958).
Tyner played on Coltrane’s My Favorite Things for Atlantic. The band toured almost non-stop between 1961 and 1965, recording the albums Live! at the Village Vanguard, Ballads, Live at Birdland, Crescent, A Love Supreme, and The John Coltrane Quartet Plays for Impulse!.
While in Coltrane’s group, he recorded albums as a leader in a piano trio. He also appeared as a sideman on many Blue Note albums of the 1960s, although he was often credited as “etc.” on the cover of these albums to respect his contract with Impulse! Records.
His involvement with Coltrane came to an end in 1965. Coltrane’s music was becoming much more atonal and free; he had also augmented his quartet with percussion players who threatened to drown out both Tyner and Jones: “I didn’t see myself making any contribution to that music… All I could hear was a lot of noise. I didn’t have any feeling for the music, and when I don’t have feelings, I don’t play”.
In 1966, Tyner rehearsed with a new trio and embarked on a career as a bandleader.
After leaving Coltrane’s group, Tyner produced a series of post-bop albums released by Blue Note from 1967 to 1970. These included The Real McCoy (1967), Tender Moments (1967), Time for Tyner (1968), Expansions (1968) and Extensions (1970). He signed with Milestone and recorded Sahara (1972), Enlightenment (1973), and Fly with the Wind (1976), which included flautist Hubert Laws, drummer Billy Cobham, and a string orchestra.
His music for Blue Note and Milestone often took the music of the Coltrane quartet as a starting point. Tyner also incorporated African and East Asian elements in his music. On Sahara he played koto in addition to piano, flute, and percussion. These albums have been cited as examples of innovative jazz from the 1970s that was neither fusion nor free jazz. On Trident (1975) Tyner played the harpsichord and celeste, instruments heard rarely in jazz.
During the 1980s and 1990s, Tyner worked in a trio that included Avery Sharpe on bass and Louis Hayes, then Aaron Scott, on drums. He made solo albums for Blue Note, starting with Revelations (1988) and culminating in Soliloquy (1991). After signing with Telarc, he recorded with several trios that included Charnett Moffett on bass and Al Foster on drums. In 2008, he toured with a quartet of Gary Bartz, Gerald L. Cannon, and Eric Kamau Gravatt.
On June 25, 2019, The New York Times Magazine listed McCoy Tyner among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.
Tyner, who was left-handed, played with a low bass left hand in which he raised his arm high above the keyboard for an emphatic attack. His right-hand soloing was detached and staccato. His melodic vocabulary was rich, ranging from raw blues to complexly superimposed pentatonic scales; his approach to chord voicing (most characteristically by fourths) has influenced contemporary jazz pianists, such as Chick Corea.
On March 6, 2020, McCoy Tyner died at the age of 81. The announcement was made by Mr. Tyner’s family on his Facebook page. Cause of death was not disclosed.
Biographical information courtesy of Wiki; for more reading see link below.