Cindy Bradley, Instrumental and Smooth jazz Artist
This week’s Featured Artist is a Buffalo, New York native who started playing the piano at the tender age of six. As fate would have it at the age of nine picked up the trumpet as an instrument to play, in order to take part in her class, school band program. By the age of twelve she was performing professionally with a Buffalo area jazz band called “Sugar and Jazz”. Meet jazz musician, composer, trumpeter and flugelhorn player – Cindy Bradley
Born in Buffalo, New York, USA
Genre: Jazz, Smooth Jazz, Contemporary Jazz
With the release of Unscripted, her latest Trippin’ N Rhythm recording, Cindy Bradley is not only keeping the trumpet and flugelhorn hip and grooving lead jazz instruments like her late great heroes Freddie Hubbard, Lee Morgan and Blue Mitchell–she’s also continues her knack for picking spot on album titles.
Calling her 2009 debut Bloom proved prophetic, as the multi-talented performer blossomed into a powerful and charismatic presence at radio and on the contemporary jazz festival circuit. Along the way, Cindy performed everywhere from the River Raisin’ Jazz Festival in Monroe, Michigan to the Dubai Jazz Fest. She won Best New Artist at the American Smooth Jazz Awards and was named Debut Artist of the Year by the Catalina Island Jazz Trax Festival and Smooth Jazz News. How to follow up? Easy. Don’t over-think or worry about everyone’s great expectations. Like a lot of the most exciting moments in life, it’s sometimes just best to go Unscripted—the perfect moniker for the whimsical spirit and stylistic diversity that drives Cindy’s new album.
For the NYC area based Cindy, collaborating on Bloom with Grammy winning producer Michael Broening (George Benson, Wayman Tisdale, Marion Meadows, Steve Oliver) in his Phoenix studio proved to be a stroke of creative genius. The collection was an incredible showcase for her multitude of talents as a player, which extend from traditional jazz and hard bop to R&B and pop influenced contemporary jazz. For those sessions, Broening had laid out a lot of tracks in advance for Cindy to co-write to and work her horn magic over. Wanting the new project to reflect her artistic growth since the first album and a deeper sense of her true emotions, Broening insisted this time in essentially winging it. He invited her to his Phoenix studio without any prescribed agenda.
Cindy shared with the producer a lot of what she had been going through behind the scenes even as her solo career was taking her to new heights and connecting her with fans all over the world. Within a span of a few months, she ended a romantic relationship and both her grandmother and mother (and admitted best friend) Doreen were diagnosed with cancer; her grandmother has since passed away but Doreen has had clear scans and is doing well now. What started out as essentially Unscripted sessions ultimately became a wonderfully cathartic experience.
“Michael is so good at getting in my head to see where I’m at when we work together,” says Cindy. “He knew I was going through a lot and that this would lead to me writing a lot more than I did on the first album. He really did a lot to get the best songs and performances out of me. It was a unique creative process because we essentially wrote as we went along, and it evolved into a longer, deeper process. Ultimately, I feel that Unscripted is more ‘me’ than anything I had recorded before. It was completely my vision of what I wanted to play.”
“Including ‘You Don’t Know What Love Is’ and ‘Footprints’ was a way to further explore my roots in straight ahead jazz and infuse more of my background into the mix. Considering that Mindy Smith wrote the song ‘A Moment More’ for her mom who was dying of cancer, concluding the album with a cover of it seemed very appropriate. At first I was a bit afraid flying out to work with Michael with nothing prepared beforehand. But ultimately that was the point, because an amazing concept took shape and the end result was more magical than I could have imagined. Music kept me going through these scary times in my personal life, and as a result, “Unscripted” is a much more intimate and powerful experience.”
The overriding theme that takes shape finds Cindy on a mind clearing, soul-lifting stroll through the hustle, bustle and multiple shades of dance music and jazz found in New York City. The moody, atmospheric opening “Prelude” includes sounds of high heels hitting the pavement and a cab door closing as the trumpeter begins her evening’s adventure. On the brisk, percussive “Mass Transit,” she enters a club and is immediately inspired by the thumping retro soul funk beat to pick up her trumpet and soar along. Then she gets back in the car (“Interlude”) and heads off to a trad jazz club, where she engages in a dreamy, easy rolling take on “Footprints” and an elegant and lush, film score flavored vibe on “You Don’t Know What Love Is.” Afterwards, she heads to a contemporary jazz-friendly spot for the seductive, in the pocket (and yes, optimistic!) flugelhorndriven “Lifted” and “A New Day.”
The next “Interlude” features some heavy radio station flipping to get Cindy into the next musical headspace—which winds up being the fiery and festive, brass-intense celebration “Déjà Blue,” whose grooving funk opens the door for her to explode on trumpet and trombone alongside saxman Tim Veeder. The fun continues—also led by her trumpet and trombone mix—on the high octane horn jam “Pink Slip,” which features Broening adding a deep and bluesy Hammond B-3 texture to the mix. Cindy’s evening winds down with the sensual and sexyflugelhorn ballad “Inevitable,” a flugelhorn solo “Interlude” and the haunting reflective “One Moment More,” which closes Unscripted with a burst of powerful emotions that puts life in its proper perspective.
Biographical information courtesy of Cindy Bradley; for more reading click on link below